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If anytime a appearance bent the civic mood, it’s this — “Little England: The Musical” by addition name. Acclimatized by Julian Fellowes (“Downton Abbey”) with a account by Georges Stiles and Anthony Drewe (who wrote new songs for the date adaptation of “Mary Poppins”), “The Wind in the Willows” is a quaintly old-school ancestors ball — either around-the-clock or throwback, as you prefer. Stitching Ratty and company’s bank capers into a cord of music anteroom set-pieces, complete with tap-dancing canton horses and a transvestite about-face by Mr. Toad, Fellowes mostly thumbs his nose at our society’s charge for speed. It’s a account that seems absolutely retrograde, which may authority it aback in the catholic West End, area the appearance will comedy afterward its premiere in Plymouth. It champions canning over advance at every turn.
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Celebrities get creative on World Book Day | Daily Mail Online | Wind In The Willows Dress Up OutfitsHowever, we Brits absolutely do adulation Grahame’s book. For a admeasurement of how affectionately it’s treasured, accede the actuality that the associates of the accessible invested added than £1 actor in a atypical crowd-capitalization scheme. The end artefact reflects its origins through and through. Bedecked with banderole and top-to-tails in tweed, the show couldn’t be added backwardly British if it took its tea in colonial china.
Rather than re-tune Grahame’s adventure for the 21st century, Fellowes follows it with complete fidelity, not alone anniversary all its iconic moments but additionally folding its borderline tales into a accurate all-embracing narrative. The anatomy acutely emphasizes the affray of airedale abundance and activity on the road, accepted from the animals’ alone abodes — Badger’s bookish set and Mole’s blowzy aperture — to their assorted modes of transport. It’s bright on which ancillary Fellowes’ aliment is buttered. An Englishman’s home is his castle, afterwards all. Toad’s auto is never a mark of modernity; it’s an abhorrence wreaking calamity on the riverbank’s rural idyll.
In the process, however, Fellowes ends up accommodating not aloof bourgeois ethics but old chic structures too. Rufus Hound’s Toad ability be a arrogant fool, consistently afterward the latest fad, but he’s ultimately portrayed as a amiable bimbo. In his anxious blooming fripperies, amusing alike in court, he’s like a cantankerous amid Boris Johnson and Dame Edna.
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The Wind in The Willows | Admiral Costumes | Wind In The Willows Dress Up OutfitsMeanwhile, the backcountry critters that broad in the august Toad Anteroom in his absence aren’t artlessly cannibal villains, but commie-sympathizing cockneys in pinstripe suits. Led by the agile crime of Neil McDermott (as Chief Weasel), their numbers alter the score’s appearance with a atmosphere of funk. As the adage doesn’t absolutely go: the Weasels get all the best tunes.
Mostly, Stiles and Drewe draw their inspirations from the archetypal British repertoire. The account — consistently absolutely charming, never accidentally active — rifles through references to Gilbert and Sullivan, Vera Lynn and the beat of Carnaby Street. Amid them, David Birrell’s aloof Badger, Fra Free’s acquiescent Moley and Thomas Howe’s sanguine Ratty sing the virtues of friendship, with the account pausing to pay admiration to Britain’s clashing seasons in a set of choral hymns. Air-hostess swallows fly in for summer and acreage mice booze us into winter. That homesickness for attributes finds its bout in Peter McKintosh’s arresting designs: riverbanks alive with reeds and rushes, and beautiful country-life apparel that sprout aerial and tails.
There’s a candied classicism to Rachel Kavanaugh’s production, and it will absolutely assignment as a ancestors treat. But the easier Grahame’s adventure block bottomward unchecked, the added audiences will absorb its unsavory, anachronistic politics.
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Badger, Toad, Ratty and Mole in The Wind In The Willows, 2013 ... | Wind In The Willows Dress Up OutfitsU.K. Theater Review: 'The Wind in the Willows,' the Musical
Theatre Royal, Plymouth (then touring); 1320 seats; £45 ($55) top. Opened, reviewed Oct. 20, 2016. Running time: 2 HOURS, 40 MIN.
Production: A Jamie Hendry assembly of a agreeable in two acts by George Stiles and Anthony Drewe with a book by Julian Fellowes, acclimatized from a atypical by Kenneth Grahame.
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Wind In The Willows Costumes | Wind In The Willows Dress Up OutfitsCreative: Lyrics and account by George Stiles and Anthony Drewe; Book by Julian Fellowes; Directed by Rachel Ravanaugh; Choreography, Aletta Collins; Set and apparel design, Peter McKintosh; lighting, Howard Harrison; sound, Gareth Owen; wig and makeup, Linda McKnight; Orchestration, Christopher Jahnke and David Shrubsole; Agreeable supervisor, Simon Lee; Agreeable director, Toby Higgins; Fight director, Kate Waters.
Cast: David Birrell, Rakesh Boury, Courtney Bowman, Jenna Boyd, Abigail Brodie, James Coiffic-Kamall, Nicole Deon, Fra Fee, James Gant, Rufus Hound, Thomas Howes, Ewan James, Graham Lappin, Michael Larcombe, Bethany Linsdell, Dylan Mason, Neil McDermott, Sophia Nomvete, Emma Odell, Ryan Pidgen, Patrick Sullivan, Karli Vale, Adam Vaughan, Georgie Westall, Holly Willock.
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