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The annual affection of what’s accident on Washington stages.
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Kiss Kiss Bang Bang Dress | Kiss kiss bang bang, Bang bang and Bangs | Kiss Kiss Bang Bang Dress“Annie” in Olney — with aboriginal “Rent” brilliant Wilson Jermaine Heredia — and “Crazy for You” at Signature Theatre cool the agreeable offerings apprenticed to boss through the new year. If your appetence leans against politics, analysis out Jon Robin Baitz’s Trump-themed “Vicuña & The American Epilogue” at Mosaic Amphitheater Company.
In the ETC. category, agenda Tony champ Cynthia Erivo, in concert at the Kennedy Center Saturday.
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PREVIEWING
“Annie.” Wilson Jermaine Heredia, the aboriginal Angel in Broadway’s “Rent,” plays the bastard Rooster in a casting that includes Kevin McAllister and Rachel Zampelli. Nov. 8-Dec. 31 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney, Tickets $42-$84. Alarm 301-924-3400 or appointment olneytheatre.org.
“Crazy For You.” The dance-happy Gershwin agreeable ball that debuted on Broadway in 1992. Denis Jones (“Honeymoon in Vegas”) choreographs. Nov. 7-Jan. 14 at Signature Theatre, 4200 Campbell Ave., Shirlington. Tickets $40-$108, accountable to change. Alarm 703-820-9771 or appointment sigtheatre.org.
“The Dog in the Manger.” We Happy Few presents Lope de Vega’s 17th aeon play. Nov. 8-Dec. 2 at Capitol Hill Arts Workshop, 545 7th St. SE. Tickets $15. Alarm 757-999-0418 or appointment wehappyfewdc.com.
“Lady Day at Emerson’s Bar and Grill.” The 1986 Billie Holiday concert drama. Through Nov. 19 at Rep Stage, 10901 Little Patuxent Parkway, Columbia. Tickets $15-$40. Alarm 443-518-1500 or appointment repstage.org.
“Mean Girls.” Headed for Broadway abutting spring; book by Tina Fey, based on her 2004 movie. Music by TV composer-producer Jeff Richmond (“SNL,” “30 Rock” — and Fey’s husband), lyrics by Nell Benjamin (“Legally Blonde”), directed by Casey Nicholaw (“Book
of Mormon”). Through Dec. 3 at the National Theatre, 1321 Pennsylvania Ave. NW. Tickets $48-$128. Alarm 202-628-6161 or appointment thenationaldc.org.
Peter Marks with Tina Fey and the “Mean Girls” team
“The Pajama Game.” The 1954 agreeable ball about a activity blast in a PJ plant, featuring such numbers as “Hey There” and “Steam Heat.” Directed by Shakepeare Theatre Company accessory aesthetic administrator Alan Paul (“Kiss Me, Kate,An ” “Man of La Mancha”); Donna McKechnie, the aboriginal Cassie in “A Chorus Line,” is on lath in a acknowledging role. Through Dec. 24 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$120, accountable to change. Alarm 202-488-3300 or appointment arenastage.org.
“I appetite to dance”: Donna McKechnie joins Arena Stage’s “Pajama Game”
“The Ravens.” A ball from “Soft Revolution” biographer Alana Valentine about a woman aggravating to leave the sex assignment trade. Through Nov. 26 at the Venus Theatre Ball Shack, 21 C St., Laurel. Tickets $40. Alarm 202-236-4078 or appointment venustheatre.org.
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Kiss Kiss Bang Bang Dress – Picpoket | Kiss Kiss Bang Bang Dress“A Short Series of Disagreements Presented Actuality in Chronological Order.” A new assignment from Britain’s Daniel Kitson, a standup amateur described, admiringly, as an “awkward monologuist” by London’s Guardian newspaper. Nov. 4-25 at Studio Theatre, 1501 14th St. NW. Tickets $25. alarm 202-332-3300 or appointment studiotheatre.org.
“Top Girls.” Amber Jackson directs Caryl Churchill’s 1982 centuries-hopping play. Nov. 4-Dec. 2 at Keegan Theatre, 1742 Church St. NW. Tickets $45. Alarm 202-265-3767 or appointment keegantheatre.com.
“Vicuña & The American Epilogue.” “Other Desert Cities” author Jon Robin Baitz’s Trump banter “Vicuña” — about a businessman-presidential applicant affairs what he hopes will be a bewitched clothing — debuted in L.A. aftermost October; Mosaic Amphitheater stages the D.C. premiere, and the apple premiere of Baitz’s epilogue. Through Dec. 3 at the Atlas Performing Arts Center, 1333 H St. NE. Tickets $20-$65. Alarm 202-399-7993 or appointment mosaictheater.org.
CONTINUING
“The Adventures of Peter Pan.” “A funny, fast-paced, visually arresting new Synetic Amphitheater production. Among the adaptation’s arresting appearance is a cogent backstory for Tinker Bell. Portrayed with brownie action by Ana Tsikurishvili, the bogie is a arresting amount whose lime-green dress swirls with tiny lights and whose antsy movements adumbration at the beastly activity she channels.” (Celia Wren) Through Nov. 19 at Synetic Theater, 1800 S. Bell St., Arlington. Tickets $20-$60. Alarm 866-811-4111 or appointment synetictheater.org.
Celia Wren reviews “Peter Pan”
“An Act of God.” “More like a ‘A Riff From God,’ a 75-minute ball amateur set delivered Vegas-style by the Lord. Its one-liners acquire from ‘The Daily Appearance With Jon Stewart’ Emmy champ David Javerbaum’s Twitter annual @TheTweetOfGod (3 amateur followers). Tom Adventure wryly delivers the angelic shtick, but this glossy assembly cries out for added convincing comedy-club rapport.” (Nelson Pressley) Through Nov. 26 at Signature Theatre, 4200 Campbell Ave., Arlington. Tickets $40-$104, accountable to change. Alarm 703-820-9771 or appointment sigtheatre.org.
Nelson Pressley on “An Act of God”
“Antony & Cleopatra.” “You could accomplish ‘Antony and Cleopatra’ arena-scale and get abroad with it; the passions and prima donna reversals are that grand. Administrator Robert Richmond goes the added way at the Folger, authoritative a attenuate about-face of the 250-ish bench Elizabethan date to a comfortable in-the-round space. Cody Nickell and Shirine Babb beautifully actualize the able lovers in Mariah Hale’s aces and adulatory costumes, and they command our absorption as if by birthright. But they don’t generally acquisition tones amid joy and anger.” (Nelson Pressley) Through Nov. 19 at Folger Theatre, 201 East Capitol St. SE. Tickets $35-$79. Alarm 202-544-7077 or appointment folger.edu.
Nelson Pressley reviews “Antony and Cleopatra”
Profile of “Antony and Cleopatra” administrator Robert Richmond
“Assassins.” Not a knock-‘em-dead staging of the Stephen Sondheim-John Weidman musical, yet the actual charcoal arresting, absolutely in the deathwatch of addition cursory amazement about addition accumulation accessible shooting. Guns are advisedly coiled and articulate about
as the casting plays presidential assassins from John Wilkes Booth to John Hinckley; the delineation of off-kilter American affliction still gives you pause. The atramentous carnival atmosphere and best of the performances assume right. The squeaky, complete accent of the Americana music sounds wrong. Through Nov. 12 at Abutting Stop Theatre, 269 Sunset Park Drive, Herndon. Tickets $20-$60. Alarm 866-811-4111 or appointment nextstoptheatre.org.
“The Book of Mormon.” “South Park” does Broadway in this accepted agreeable comedy, aback at the Kennedy Center for its third tour. “Money can buy happiness. You’ll not alone laugh; you’ll additionally curiosity at the accomplishment with which this appearance is constructed. Yes, the jibes alight into the juvenile, and the jokes at the amount of religion, AIDS and Third Apple abjection may bulldoze you to admiration how that sweet-looking beforehand brace at the end of your alley is demography to all the acutely cursing profanity. But the hasty affair about ‘Book of Mormon’ is that admitting all its anarchic swagger, it’s a agreeable with a soul.” (Peter Marks) Through Nov. 19 at the Kennedy Center’s Opera House. Tickets $59-$199. Alarm 202-467-4600 or appointment kennedy-center.org.
Peter Marks on “Book of Mormon” in 2013
“The Effect.” “Lucy Prebble’s acute and aesthetic ball apropos the science of love, and how abundant the amoebic elements of allure that advance through our bodies ability be adapted by substances added to our systems. In the sexy, well-synchronized performances of Rafi Silver and Katie Kleiger, Studio Theatre’s beautiful production, directed by David Muse, has no botheration immersing us in the story’s axial mystery: whether the acute affection that develops amid Silver’s Tristan and Kleiger’s Connie has been triggered by the heart, or a canteen of pills.” (Peter Marks) Through Nov. 11 at Studio Theatre, 1501 14th St. NW. Tickets $20-$55. Alarm 202-332-3300 or appointment studiotheatre.org.
Peter Marks reviews “The Effect”
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Kiss Bang Love's Lisa says her mother 'freaked out' after seeing a ... | Kiss Kiss Bang Bang DressLucy Prebble chats with Nelson Pressley
“Emilie: La Marquise Du Châtelet Defends Her Life Tonight.” “Lauren Gunderson’s bracing, able ball based on real-life 18th-century French accurate ability Émilie du Châtelet, whose achievements included authoritative bare fixes to Newton’s physics. Gunderson’s ball demands an amateur who can assuredly arm-twist Emilie’s active ability and wit, and in Avant Bard’s accepted production, Sara Barker rises to the task.” (Celia Wren) Through Nov 19 at Gunston Arts Center Amphitheater II, 2700 S. Lang St., Arlington. Tickets $35. Alarm 703-418-4808 or appointment wscavantbard.org.
Celia Wren reviews “Emilie”
“Hello, My Name Is . . . ” “A affecting accession by artist Deb Sivigny that roams through an old abode in the District’s Takoma Park adjacency for audiences of about 15 at a time, immersing admirers in the apple of mostly Korean adoptees growing up in America. Sivigny accurately sets the table for nuanced arguments about acceptance behavior in Korea and the American bureau that insists it’s accomplishing good.” (Nelson Pressley) Through Nov. 12 at Rhizome DC, 6950 Maple St, NW. Tickets $40. Appointment thewelders.org.
Nelson Pressley reviews “Hello, My Name Is . . .”
Geoffrey Himes talks with Deb Sivigny
“Mystery School.” Nora Achrati plays the bristles women in Paul Selig’s one-woman drama, presented by the Edge of the Universe Players 2 in Woolly Mammoth’s call hall. Through Nov. 20 at Woolly Mammoth Theatre Company, 641 D St. NW. Tickets $25. Appointment universeplayers2.org.
“Our Town.” Thornton Wilder’s around-the-clock aloof drama. “Director Aaron Posner’s assembly contains accomplished moments of affable ball and balmy animal truth, and some amount performances are winning. But as advised by Aaron Cromie and — added chiefly — accurate and activated by the seven-actor cast, the puppets who characterize the tale’s acknowledging characters generally appear beyond as cutesy. Their ambrosial folk-art attending and
idiosyncratic choir — lots of lovable-old-coot speaking patterns — ultimately ambit us
from the simple but abstruse absoluteness of Grover’s Corners.” (Celia Wren) Through Nov. 12 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd. Tickets $54-$74. Alarm 301-924-3400 or appointment olneytheatre.org.
Celia Wren on “Our Town”
“The Price.” Arthur Miller’s 1968 ball of average age-old brother advancing to agreement as they cash ancestors assets, with Hal Linden as 89 year old acclimated appliance banker Gregory Solomon. “Miller knew salesmen, and Solomon’s a beauty: he charms, he jokes and he philosophizes as he nibbles a adamantine above egg from his briefcase. Solomon brings amusement and ablaze to a ball that’s abounding of abundant showdowns, and mostly the role fits Linden like a bendable covering glove. Of advance the guy who played Barney Miller in one of TV’s smarter sitcoms knows how to bead dry punchlines into the prevailing inanity. Linden additionally knows how to acclaim complete addendum of time and loss, which abroad in this achievement blast like gongs.” (Nelson Pressley) Through Nov. 19 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$111, accountable to change. Alarm 202-488-3300 or appointment arenastage.org.
“The Price” advised by Nelson Pressley
“Safe as Houses.” “Gets ashore answer itself afresh and afresh as a altered affectionate of burst ancestors has a ‘Twilight Zone’ moment. It’s Valentine’s Day, and Isabel is adulatory with her additional bedmate back her aboriginal bedmate walks in out of a storm — not acumen 10 years accept passed. Too little of author Natalie Ann Piegari’s fantasy (debuted by Pinky Swear Productions) passes basal believability tests, and too abundant overwritten chat is composed of addled variations on ‘I don’t understand.’” (Nelson Pressley) Through Nov. 11 at Trinidad Amphitheater in the Logan Fringe Arts Space, 1358 Florida Avenue NE. Tickets $35. Alarm 866-811-4111 or appointment pinkyswear-productions.com.
Nelson Pressley on “Safe As Houses”
“Shakespeare in Love.” “If you appetite an big-ticket archetype of the affably escapist 1999 Best Picture winner, by all bureau analysis it out. The players chaw into the actual with bite and anapestic verve. They are beautifully outfitted in Kathleen Geldard’s apparel and underscored by Matthew M. Nielson’s cinema-ready soundtrack. You could blur it.” (Nelson Pressley) Through Nov. 26 at Baltimore Center Stage, 700 N. Calvert St., Baltimore. Tickets, $20-$79. Alarm 410-332-0033 or appointment centerstage.org.
Nelson Pressley on “Shakespeare in Love”
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Kiss Kiss Bang Dress | Bangs, Kiss and Fancy | Kiss Kiss Bang Bang Dress“The Very Aftermost Days of the Aboriginal Colored Circus.” A revised adaptation of the appearance presented by Restoration Date beforehand this year, a new ball with music chronicling the challenges faced by African American bazaar performers in 1920s La Plata, Md. Through Nov. 12 at the Anacostia Playhouse, 2020 Shannon Place SE. Tickets $45-$55. Appointment restorationstage.biz.
CLOSING
“Are You Now or Accept You Ever Been.” “Carlyle Brown’s torn-from-the-archives ball about artist Langston Hughes adverse interrogators on Capitol Hill during McCarthyism’s heights. Composer and keyboardist William Knowles food an aboriginal account of applesauce and dejection while bristles actors ball and coast about Marcus Naylor, who is appalling and afflicted as Hughes. The access gives the 90-minute appearance a agitated clip that emphasizes Hughes’s anxiety.” (Nelson Pressley) Through Nov. 5 at MetroStage, 1201 N. Royal St., Alexandria. Tickets $55-$60. Alarm 800-494-8497 or appointment metrostage.org.
Nelson Pressley reviews “Are You Now . . . ”
“Electra.” The arising 4615 Theatre Company presents a adaptation of the Sophocles tragedy by Nick Payne. Through Nov. 4 at the Highwood Theatre, 914 Silver Spring Ave., Silver Spring. Tickets $10-$16. Appointment 4615theatre.com.
ETC.
The Capitol Steps. The longtime political satirists, disturbing action from the headlines. Fridays and Saturdays in the Ronald Reagan Building and International Barter Center Amphitheater, 1300 Pennsylvania Ave. NW. Tickets $40.50. Alarm 202-397-7328 or appointment www.capsteps.com.
Cynthia Erivo. The 2015 Tony acceptable brilliant of “The Color Purple” in concert. Nov. 4 at the Kennedy Center’s Terrace Theater. Tickets $49-$69. Alarm 202-467-4600 or appointment kennedy-center.org.
“Shear Madness.” The abiding alternate ball whodunit, at 12,000-plus performances. Ongoing in the Kennedy Center’s Amphitheater Lab. Tickets $50-$54. Alarm 202-467-4600 or appointment kennedy-center.org.
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A complete adviser to DC’s 2017-18 amphitheater season, with addendum from Post critics
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