by Alex BillingtonDecember 19, 2008Source: MoviesOnline
When we aboriginal appear that Tim Burton was administering Alice in Wonderland, we wrote that the blur would affection a aggregate of live-action footage and performance-capture adumbration all in 3D. At the time I didn't apperceive what all that would mean, but took it as a assurance we ability see article visually astounding. It wasn't until I apprehend this account with Alan Rickman at MoviesOnline (via SlashFilm) that I accomplished this absolutely would be an alarming aggregate of a absolute of three beheld styles. Rickman explains that, "the cine is a admixture of alive action, animation, and stop motion, so it's actual complicated." As far as I know, and alike as Rickman noted, "I don't anticipate all three accept been put calm anytime before."
There accept been mixes of CGI and live-action afore and alike some stop motion and live-action mixes, but I can't anticipate of a blur that appearance all three. That is, unless you appetite to calculation article like Hellboy II: The Golden Army, which had a stop motion boob arena in the alpha and featured affluence of CGI characters. Alike that isn't a acceptable advertence because I'm assured Alice in Wonderland to attending like annihilation we've anytime apparent before, a lot like the Wachowski's Speed Racer. That's acceptable account to me, because I admired Speed Racer and I'm already actual aflame to see what Burton's askance apperception has appear up with.
For those who are apprehensive why the heck Alan Rickman is talking about Alice in Wonderland, he is starring in the blur as the caterpillar. And yes, he will absolutely be a CGI character, not clashing what Robert Zemeckis does in his films. And to accord anybody an abstraction of the crazy visuals we'll be seeing, Rickman explained that Helena Bonham Carter, who plays The Red Queen, is "in a apparel and in architecture but her arch is activity to be fabricated three times bigger than it absolutely is on top of the costume." If you anticipation Disney's Alice in Wonderland from 1951 was already visually actual trippy, aloof delay until Burton's version. If the archetypal can be declared as a apperception trip, again this will apparently be declared as a abounding on acerbic trip.
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