Good Luck Charlie: Season 4 Episode 4 Director Emily's Fruit Dress ... | Want That Dress DirectorWant That Dress Director
WHO WHAT WEAR: What’s the aberration amid cutting a appearance advance and filming a movie?
BAZ LUHRMANN: My attitude is never different. We advance it with the aforementioned affection and absolutism. However, this one is decidedly fun. Normally, like aback we formed on those Chanel films all those years ago, we'd accompany the character, and Karl [Lagerfeld] would adapt character—like on the one I did with Gisele [Bündchen], we came up with the basal idea, but Karl said, "What about the bristles on the back?" On Romeo Juliet, I additionally formed with Miuccia Prada. Very little bodies apprehend her first-ever menswear was Leo's accouterment [in the film].
This is altered because in the [Erdem x H&M] collaboration, the abstraction was that Erdem would accomplish a range, and I had to accept with him a faux cine that you could credibly accept those clothes lived in.
WWW: Even so, do you focus on the accouterment to accomplish them flash a bit added on screen?
BL: Erdem was like, "I don't affliction about the clothes, aloof accomplish a acceptable movie." Having said that, aback Ruby [Dagnall, one of the film's leads] enters in the sparkling dress, I agreement if I was cutting a cine I'd do the aforementioned thing. You accept to attending at the abundant dress, but really, the dress is an addition of the body, and her anatomy is an addition of her.
WWW: Are there any pieces in the accumulating accurately that attending absurd on film?
BL: That dress, and there's addition one that isn't in it much. That dress [Ed note: apparent below] moves in a abundant way that's congenital for cinema.
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