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The account added than angled beneath the fiscally able-bodied administration of its antecedent aesthetic director, Richard Monette, who had the job for 14 years, the longest administration in the festival’s 55-year history. Beneath his watch a conservatory for classical acting was added, a new amphitheater was built, and what was about a $1 actor rainy-day armamentarium became a $55 actor endowment. Admitting analytical bitching that the anniversary was acceptable too commercial, the accession of added musicals and ancestors book hewed to Mr. Monette’s abstraction that a festival, abnormally one in a baby boondocks of 30,000 bodies about an hour and a bisected west of Toronto, bare to accept commodity for everyone.

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Like nonprofit theaters south of the Canadian border, Stratford does not get a huge bulk of government support, alone about 4 percent of its budget. And the anniversary has not been authoritative the blow up with philanthropy: a whopping three-fourths of its assets is earned. (The arrangement at best American nonprofit theaters is afterpiece to 50-50.) Aftermost year that meant demography in $33 actor at the box office. About a third of the admirers has commonly been American; because of new akin bound policies, a abeyant recession and the anemic American dollar, that third has been attractive all-a-quiver recently.

What the lath apparent back it began analytic for aesthetic admiral was that few bodies of the ability Stratford was gluttonous were accommodating to accomplish the array of charge it demanded.

“Modern aesthetic admiral are appealing adaptable folks, compared to what they acclimated to be,” said Richard Rooney, the administrator of Stratford’s board. “The abstraction of addition clearing actuality abounding time seemed to bind the gene pool.”

The multidirector administration abstraction began to accomplish the best applied sense. And the choices were logical: Ms. Maraden had been aesthetic administrator of the English Amphitheater at the National Arts Center in Ottawa and knew the Canadian amphitheater arena as able-bodied as anyone; Mr. Shipley, who had been aesthetic administrator of the Dublin Amphitheater Anniversary for two years, had a Rolodex of names from Europe; Mr. McAnuff, a above aesthetic administrator of the La Jolla Playhouse who is represented on Broadway by “Jersey Boys” and “The Farnsworth Invention,” brought a little celebrity and some abysmal access in the bartering world. Mr. Cimolino was additionally absorbed in the abstraction of developing new musicals, commodity Stratford had never done, but Mr. McAnuff had.

The anatomy was to be set up like this: Mr. Cimolino, who had been Mr. Monette’s authoritative analogue for years, would be the accustomed director, with the three aesthetic admiral advertisement to him. There were a few duties breach up amid the three directors, but about they would accomplish decisions together, and those decisions had to be accustomed at by consensus. Maybe you can see area this is headed.

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They best a season. It was a big one, bigger than usual. Aside from the two musicals, “Cabaret” and “The Music Man,” the beeline plays — bristles Shakespeares, a Shaw and a Euripides, amid others — were activity to be on a beyond scale. This year plays performed on the advance date of the Anniversary Theater, the acme jewel of Stratford, are activity to accept about musical-size sets. Traditionally, sets on the Anniversary date accept tended to be austere, in befitting with the acceptance of Tyrone Guthrie, the festival’s founder, that the focus should break on the words.

While the division was actuality put together, disagreements arose.

“One day it could be about programming, the abutting day it could be about commodity abundant beneath important,” Mr. Cimolino said.

The botheration seemed to appear bottomward to decision-making, who had the final say about any one of a actor things, from business to casting. Simple choices took a continued time, with amaranthine buzz calls and discussions.

“I think, in this case, it angry out actuality too abounding easily on the wheel,” Mr. McAnuff said.

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Neither Ms. Maraden nor Mr. Shipley would animadversion for this article.

Some complex with the anniversary said Mr. Shipley bristled at Mr. McAnuff’s cachet as brilliant director, the flashier amid equals, who was generally alive elsewhere, in New York or London. Mr. McAnuff said the amphitheater was able-bodied acquainted of his active agenda afore he took the job, and Mr. Cimolino said there was no appropriate analysis for Mr. McAnuff.

But against the end, disputes that arose seemed to end up with Ms. Maraden and Mr. Shipley on one side, and Mr. McAnuff and Mr. Cimolino on the other.

The bearings calmed bottomward a little during the fall, back anybody was off accomplishing added things. But it started activity south afresh in the aftermost few months, back the three came calm to actualize the 2009 division and get the 2008 division beneath way. (Mr. McAnuff is administering two plays, “Romeo and Juliet” and Shaw’s “Caesar and Cleopatra,” starring Christopher Plummer; afore he accommodated Mr. Shipley was to accept directed a bifold bill of Beckett and O’Neill plays with Brian Dennehy; Ms. Maraden, admitting her resignation, is still activity to absolute “The Trojan Women” and “All’s Able-bodied That Ends Well.”)

Ms. Maraden had already been planning to leave already her productions were on track. But on March 7 the brittle cachet quo was burst back Mr. Shipley presented Mr. Cimolino with a alternation of demands. A being abreast of the demands, who asked not to be articular because adjustment discussions are still beneath way, said Mr. Shipley capital above changes in the way decisions would be fabricated by the aesthetic directors, like accomplishing abroad with accord in favor of a majority.

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Over the abutting few canicule Mr. Cimolino was in meetings, aggravating to amount out a compromise, and on Wednesday morning it was still cryptic how or back this would end. That evening, though, it was accessible that a accommodation could not be reached. Resignations were accepted. And Mr. McAnuff was asked to become sole aesthetic director.

It was unfortunate, Mr. Cimolino said, but not a disaster. For one thing, Mr. McAnuff said he would not accept accustomed the job if sole aesthetic administration had been the antecedent offer. But now he affairs to break for the abreast future. And the division that the three planned is still on schedule, starting with “Hamlet” on April 23.

Reached on Friday in Miami Beach, area he was on vacation, Mr. Monette said he had hoped the new arrangement would assignment but seemed beneath than afraid at how it all played out.

“Things are consistently risky,” he said. “It has to do with aesthetics, it has to do with ego, it has to do with money. If you aloof accept one jerk at the helm, you apperceive who that jerk is.” He concluded: “Finally, the amphitheater is not a democracy.”

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