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Stephen Mangan and Matthew McFadyen brilliant as Jeeves and Wooster in this blissful comedy aural a comedy [DAVID JENSON]
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THE conceit of this blissful three-hander, accounting by Robert and David Goodale, is that Bertie Wooster is account his bouncy weekend block a cow-shaped argent chrism jug at Totleigh Towers (which PG Wodehouse admirers will recognise as the artifice of The Code of the Woosters) to a advantageous admirers because a adolescent at his club has assertive him he’s a built-in raconteur.
He isn’t, of course. He tries to act it out and gets abashed back he has to comedy two genitalia at once. That’s a cue for the almighty Jeeves to appear to his aid, demography bang and saw to beating calm some burning backdrop and enlisting the advice of aged adolescent butler Seppings who has a allowance for impressions.
Together they adapt the adventure to abduct the creamer from barbaric Sir Watkyn Bassett at the bidding of blackmailing Aunt Dahlia while acclimation Gussie Fink-Nottle’s assurance to Bassett’s babe Madeleine because contrarily poor Bertie will accept to ally her.
["400px"]It’s the affectionate of low-budget actorly romp, area Bertie plays himself while Jeeves and Seppings dress up as anybody else, which will be accustomed to anyone who has apparent the Irish two-hander Stones In His Pockets or the hit date adaptation of The 39 Steps.
With abominable asides to the admirers and alive gags about broken sets, this is Jeeves and Wooster meets Morecambe and Wise (and it’s no blow that administrator Sean Foley additionally created the Eric and Ernie accolade The Comedy What I Wrote).
Jeeves (Matthew McFadyen), Wooster (Stephen Mangan) and Seppings (Mark Hadfield) in a brash moment [DAVID JENSON]
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It may be absolute nonsense but that’s the point of Wodehouse and the acceptable account is that it’s bliss. Stephen Mangan plays silly-ass Bertie as if it’s the role he was built-in for, with slow-motion commitment and a affable agog axle that exudes aloof acceptable humour composed by brains.
Matthew Macfadyen is a refreshingly chaste Jeeves, again throwing himself into the added roles with acceptable carelessness after absolutely dispatch out of his butling character.
It’s a celebration of quick apparel changes: at one point one ancillary of him is dressed as roaring Sir Watkyn (with stick-on beard and Julian Assange fright-wig) and the added as backward Stephanie Byng, so that back he turns annular he can accept a chat with himself.
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An appropriately absorbing Mark Hadfield completes the trio, a pint-sized falsetto gorgon as Aunt Dahlia, and aggressive on the appliance to comedy Roderick Spode, the gigantic absolutist with a amusement designing lingerie.
It works beautifully able-bodied because it allows Bertie to abide as narrator, thereby attention abundant of Wodehouse’s banana prose, and the concrete commotion is so accurate to the creator’s brash spirit that you can brainstorm him adulatory he’d anticipation of accomplishing it like this.
Mangan’s communicable curtain-call Charleston is the icing on a actual adhesive block which care to be his authorization into abutting year’s Strictly.
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VERDICT: 4/5
Jeeves & Wooster in Absolute Nonsense runs at the Duke of York's Theatre, London until March 8. Log on to jeevesandwoosterplay.com or alarm 0844 871 3051. Visit expresstheatretickets.co.uk for tickets.
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