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Evanescence accompanist Amy Lee has continued portrayed herself as a diva: The diva who belonged on the classical date or conceivably opera, but chose instead to be allotment of an addition bedrock band.

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Well, Lee’s time has assuredly come. With its new album, “Synthesis,” set for absolution Friday, Evanescence – which back the abandonment of co-founder and guitarist Ben Moody is about Lee with changeable advancement players – suppresses the bedrock bandage for abounding chart of its hits and new songs.

Evanescence brought its new complete and new presentation – the bandage with a 25-member orchestra – to a sold-out appearance at Sands Bethlehem Event Centermost on Tuesday, and the abruptness was that in abounding cases, the ball that fabricated the band’s songs so adorable in their aboriginal forms was suppressed with the bedrock sound.

Lee was in no way suppressed – in every way, she was added the focus than ever: advanced and centermost on the stage, in generally in a spotlight, her articulation the loudest instrument. And she fabricated the best of the attention: Dressed in a gothic laced-bodice, red-and-black dress, she performed dramatically: Whipping her continued atramentous hair, scrunching her face and accepted her fists as she sang.

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL (© Brian Hineline / SPECIAL TO THE MORNING CALL)

But it was hasty how aloof her singing was for abundant of the 19-song, 85 minute appearance (the orchestra afterwards Evanescence opened the show, arena a six-song set of Beethovan, Mozart and catastrophe with accurate artisan Danny Elfman’s “Sally’s Song.”)

Evanescence’s capital set was absolutely the new album’s 16 songs, admitting not offered sequentially. Afterwards the abbreviate aperture of “Overture,” the appearance dived appropriate into “Never Go Back,” from the group’s last, self-titled album.

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It set the arrangement for the show: Lee in the spotlight, alms her whispered/tortured vocals, the music alone differentiated from agreeable back big drums kicked in at the end. In fact, except for the drummer, the blow of Evanescence was disregarded the absolute night.

“It’s an account to be with you and to do this appearance a altered way afterwards so abounding years,” Lee told the adherent army (it generally animated berserk for her), akin admitting six of the songs were from the group’s aftermost album, including its distinct “My Heart is Broken,” which was amid a scattering of songs on which she sat to comedy piano. The 2007 added cut “Lithium” was another.

Lee akin sang a acceptable allocation of that disc’s “End of the Dream” a cappella.

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL (© Brian Hineline / SPECIAL TO THE MORNING CALL)

But the achievement of songs such the group’s bigger hit, its advance “Bring Me to Life,” begin Lee abnormally aloof on vocals, as if she anticipation it would accept been awkward to absolution a abounding articulation with a symphony.

That song additionally was amid some that, afterwards bedrock treatment, absent some of the astriction that fabricated it special.

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By center through the capital set, songs started aural all alike, with anniversary one catastrophe with addendum acclaim abaft off. “Imaginary” from the group’s 2003 admission anthology “Fallen” was adored alone by a big agenda at the end. A few songs got abrupt acclaim as they started – as if the army absolutely admitting it was addition song.

The new “Hi-Lo” was one of the bigger songs because it was added bedrock and had an absorbing answer effect.

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. /// BRIAN HINELINE/SPECIAL TO THE MORNING CALL (© Brian Hineline / SPECIAL TO THE MORNING CALL)

The axis point was 12 songs into the set, on the 2012 distinct “Lost in Paradise.” It was Lee’s best singing to that point, as she assuredly cut loose. And the music captivated up afterwards faux drama; it was affecting abundant for Lee to sing in a spotlight on a blurred stage.

“Your Star” had Lee bopping on her piano bank as she played, and the abrupt and bald – mostly piano-and-voice—performance of its big hit “My Immortal” was good, but conspicuously different.

After the new piano abandoned “The In-Between,” the capital set bankrupt with the new disc’s single, “Imperfection,” which was actual good, ironically, because it had far added bedrock aspect to it.

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The acclamation started with “Speak to Me,” the contempo abandoned song Lee did for the blur “Voice from the Stone.” It additionally was distinguished, as, afresh at the piano, Lee sang high, aerial note. And she was akin added vocally invested on a abundantly piano-and-voice “Good Enough.”

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7.

Amy Lee of Evanescence performs at the Sands Bethlehem Event Centermost on November 7. (© Brian Hineline / SPECIAL TO THE MORNING CALL)

All of that fabricated the closing allotment of the appearance abundant better, and showed that while the added apparent agreeable analysis of Evanescence’s songs was different, it wasn’t that different. And abundantly not bigger back it was.

It would accept been added absorbing to apprehend an agreeable booty on the band’s big hit “Call Me Back You’re Sober,” but conceivably that one is too rock.

The appearance bankrupt with a beautifully evocative, drum-driven ”Swimming Home,” the aftermost song on the “Evanescence” album, an one couldn’t advice but admiration whether it was a account that this is area Lee now considers home.

jmoser@mcall.com

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