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Six months afterwards their aboriginal fight, Weidman and above best Anderson Silva called the aforementioned exhibit songs for their rematch. Both matches amid the world’s two best middleweights concluded central the additional annular beneath less-than-ideal circumstances.
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The Hollies Long Cool Woman In A Black Dress Bass Cover - YouTube | Creedence Clearwater Revival Long Cool Woman In A Black DressOff the anthology Full Moon Fever, Petty’s distinct “I Won’t Aback Down” has been Weidman’s calling agenda on his run to the middleweight title. The 29-year-old Weidman began application Petty’s song of affront at UFC 139, area the Long Island, N.Y., fighter met Tom Lawlor. George Harrison, of The Beatles, abundantly provided advancement vocals for Petty on his 1989 song. The abatement tones of drillmaster Ray Longo’s articulation in Weidman’s bend harmonized altogether with a fighter out to prove his aboriginal win over “The Spider” was not a fluke.
Silva may be one of the better admirers of the 2001 Steve Segal blur “Exit Wounds.” The above longtime bang-up of the UFC’s 185-pound division, Silva has marched out to DMX’s “No Sunshine” for the majority of his trips central the Octagon. A black clue about the dichotomy amid a person’s strengths and weaknesses, Silva fabricated the five-minute rap song assignment for all of his UFC appearances afore Weidman agape him out at UFC 162.
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Long Cool Woman In A Black Dress (The Hollies) | Sounds Like ... | Creedence Clearwater Revival Long Cool Woman In A Black DressWeidman was the aggressor from the aperture alarm in the rematch. A bite from the assure aching Silva amid through the aboriginal round, and Weidman spent the butt of the aeon anguish on the 38-year-old Brazilian’s skull. The action came to a arrest arrest in the additional anatomy afterwards Silva threw an central leg bang and Weidman stood strong. Silva suffered a burst leg, and Weidman retained the middleweight belt in a camp and abashing TKO finish.
Meanwhile, Ronda Rousey and her alarming bold face should dart to the cage, with Joan Jett’s aboriginal abandoned track, “Bad Reputation,” clocking in at an armbar-snapping 2:48. By the time Rousey makes her aboriginal paces central the cage, Jett’s jailbait clue has already restarted in the amphitheatre loudspeakers. With the allowance of gab alfresco the cage and an all-business access central the eight-sided fence, Rousey and “Bad Reputation” was a bout fabricated in MMA exhibit heaven. Rousey’s bad rep is a examination of her absolute intentions appear any adversary put in advanced of her.
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Long Cool Woman in a Black Dress - The Hollies HD - Rock Music News | Creedence Clearwater Revival Long Cool Woman In A Black DressIf you accept to adverse one of the sport’s best access songs, again you ability as able-bodied go to the complete adverse end of the agreeable spectrum. Miesha Tate called pop figure Katy Perry’s 2013 distinct “Roar” as the soundtrack to her rematch with Rousey. With a blazon of empowerment alone Perry could provide, Tate stepped into the cage with Rousey as the action underdog but larboard as the army favorite.
Rousey and Tate put on a “Fight of the Night” achievement through a aggregate of grappling scrambles featuring dust from both combatants. Tate pushed the UFC’s women’s bantamweight best into adopted waters, as it was Rousey’s aboriginal pro or abecedarian action to accomplish it out of the aboriginal round. Rousey eventually wore bottomward Tate in the third annular and anchored an armbar-induced acquiescence win.
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Long Cool Woman In A Black Dress - HOLLIES - YouTube | Creedence Clearwater Revival Long Cool Woman In A Black DressOn the UFC 168 undercard, failing Jim Miller bankrupt abroad from Creedence Clearwater Revival but backward with a beggarly archetypal bedrock guitar riff in the anatomy of The Hollies “Long Cool Woman (in a Black Dress).” Dustin Poirier and Robert Peralta both went with able answer in their exhibit selections. Poirier best Kanye West’s “Diamonds from Sierra Leone” while Peralta went abysmal into the hip hop athenaeum for Lil Scrappy’s “No Problem.”
Tommy Messano is the editor-in-chief of ULTMMA.com. You can acquaintance him on Twitter at @ULTMMA.
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